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Check out the review of, The Art of Intuition!
Shaheen: We are receiving conflicting messages. We are being told to be independent, self-reliant, and separated. Yet we want comfort from all the things happening in the world. Some people think they are being brave by disconnecting, but really they are cutting off source. But people are beginning to ask questions. They are wanting more. Spirituality is rising.
Sophy: I want to say one more thing about the fear, Shaheen. I think that fear is a part of the human condition, anxiety is a part of us and the way to conquer it, if I can use that term, is to not resist it, but to go very deeply into it. What does it feel like in my body? Go physically into the fear. And try to feel it more and more deeply. And the more you do that, the more it disappears.
That’s another aspect of how we are not taught to trust the language of our hearts. Here comes fear, it is a gift that is being given to us. What is it about? Can I look at this gift, or do I want to run away? Or do I want to get out my Glock pistol and shoot the fear dead. But if we can just face it, it vanishes. And it will tell us something very important if we allow it to. And that’s a little piece of what intuition does. Intuition tells us things that are really important.
Shaheen: So where do you feel like that comes from? How do you know what is a creative hit, what is imagination, what is intuition? Are they the same thing? Are they different things?
Sophy: Well, first let’s make some definitions. Creativity is the basic nature of the healthy person. And there are many, many forms of creativity. You could be building a garden or playing the piano or drawing a picture or writing a book or doing a flower arrangement or raising your children or cooking a wonderful meal. All of those things are aspects of creativity. And they come out of the central life force. And when we’re healthy, you cannot help but be creative. Now when you’re recovering from surgery, when you’re in chronic pain, number ten pain, you cannot be creative, because you don’t have the resources. And this is why I add this caveat of health. But even there someone like Proust, who was very, very ill most of his life, was intensively creative.
So now going to the other two things, imagination and intuition. I think they’re slightly different, and I’d be interested in what you think. I can go into daydreams and in my imagination I can have the most wonderful life. I can make things happen. I can have lovers adore me who actually in real life don’t. And I can have tons of money and spend it the way I want in my imagination. But it’s not the same as having an intuitive gut feeling, a hunch, the hair rising on my arm with information that is coming to me not through the senses necessarily, but through some mysterious heart. I keep going back to the idea that we know this with our spiritual eye or we know it with our emotional eye. We don’t know it with our logical and analytical mind. And so you see someone enter the door and you think, boy, I don’t want anything to do with him. This is not your imagination. This is information that has come to you.
And creativity uses both intuition and imagination. They’re wonderful gifts and all three of these qualities that you name, all three are enhanced and increased by meditation, by just sitting quietly and breathing. And allow a thought to rise up in your mind and fall away. If we first, before meditating, send out a request, ask for the solution to a problem, we will get it in the meditation. Just as if you ask for the solution, go to sleep on a problem, you say, and in the morning you’ll know the solution, because the subconscious mind knows everything. And it will present it to us. And many, many of the things that I write I find the solutions in…to the creative process, if I’m blocked, I find it more in meditation than by sleeping on it. Give it to the subconscious mind. Turn it over and walk away and let the divine center of my being bring it up out of the deep depths of this ocean of information. And it will present itself to me.
Shaheen: I’m fascinated by the concept of creativity being something that you do as a healthy human. It seems like intuition and imagination are the channels that bring creativity to life.
Sophy: I am so struck by the quotations in my chapter on creativity in The Art of Institution that I’m sure of even what page they’re on, but Mozart being quoted and Tchaikovsky and yes, it’s on page 59 of the hardcover of the book. And Tchaikovsky and then the playwright, Neil Simon, “I dip into a state, I don’t write consciously. It’s as if the muse sits on my shoulder.” And we all have this idea of being guided by something greater than ourselves. How did I ever write that? Or you look back at something that you wrote 20 years ago and you think, my God, I don’t even know that now, this is just amazing.
I loved what Mozart said about how, if he can’t sleep, or if he’s traveling in a carriage, his ideas start to flow abundantly. Where they come from, he has no idea and he can’t force them. “Nor do I hear in my imagination a part successively, but I hear them as it were all at once. What a delight this is I cannot tell.” I have often found that, for me, creativity is enhanced if I am rocking in a train or on an airplane and if I can give myself a pad of paper at that time I can write brilliantly, there’s something about the rocking motion that is very encouraging to the creativity. Anyway it’s something we all want. And when the muse goes away, it’s terrible. And sometimes, the muse goes away and then you’re left on your own.
Shaheen: That leads me to my next question, is there ever a time when you think that people should tap out of their creative channels or their imaginative channel or their intuition? Is there every a time when you almost should disconnect from that? And I know that there are experiences as someone who is very intuitive, who is very psychic, there are psychic experiences that people have, whether it be seeing things or picking up on too much.
Sophy: I don’t know about should. I can really only speak for myself and I find that I go through long periods sometimes of lying fallow in which nothing is engaging me. I do not want to be creative. I may at that time go and do other things. Things that I can’t do when I throw myself into writing a book and when I’m writing a book I don’t see my friends, you know, I’m completely absorbed in this creative project and not a good friend at all. And then there will come a period where I finish it and it’s like I’m woken up and I don’t want to be writing right then. I can’t just continue it that way, like Dumas, who, when he had finished writing The Three Musketeers, he drew a line midway across the page and he wrote The Count of Monte Cristo and continued writing on a new book. I can’t do that. I can’t do that. Now, he did have a whole host of researchers working for him and plotting and laying out the book so he knew what he was going to say next and he was writing on deadline and for money, and needed the money desperately for his addictive elements. So what I have discovered is in these periods when I’m lying fallow, I never know if I am lying fallow or if I will never write again. My kids…my kids tease me that I always say this, “Oh, I’m never going to write again.” “Oh, we’re heard that before, they say.” And in another few months, or in a year, there I am doing something again. But it always feels as if you never will.
You need to unplug. You need to go live. And get out of the state of readings and intuitives, of right-brained hemisphere; it’s too great…it’s too much for you. And then I start doing chess puzzles or writing or doing crossword puzzles and playing Scrabble and doing things that feed the left hemisphere, the logical, analytical part, because I’ve just gone too far along the other side.
And I think that’s helpful, I think that’s good. We’re supposed to use all of our gifts.
Shaheen: I think that’s a great point though, because some people go to one extreme or the other.
Sophy: And it’s all about balance, it’s all about balance. If you’re too intuitive, you’re going to start imagining things. And then…
Shaheen: That’s interesting. That’s a really great way to understand the difference between intuition and imagination.
Sophy: And yet, on the other hand, I’m not knocking intuition at all. Whether it comes with the external voice or whether it comes with the hair rising on your arm or your gut roiling or your heart beating faster, this is information that is being given to you. And it’s very meaningful; you have to pay attention to it. I know some people who are so unintuitive that they have to practice being intuitive. They are so smart; they are such Mensa scholar, scientific, mathematical types that they have almost no intuition. And they’re very hard to be around because they’re not sensing anything. They can come into a room and not have any idea the energy field. They’ll go out of a party and not have any idea that the host and hostess are having a quarrel at that moment and splitting up and you think, how could you not have picked up this information energetically. But they’re so closed, or narcissistic, that they can’t get it.
But it’s all balance. Because the other person who is so intuitive has trouble, the trouble with that is they can’t separate their feelings from the feelings that they’re picking up from other people. And therefore the boundaries become so merged and permeable that they don’t know what is there’s and what belongs to someone else. And they’re constantly being depressed or elated or dismayed or fearful without knowing that they’re just picking it up from people around them.
Shaheen: Yeah, that is really a good point; I think that speaks to the idea of fear.
Sophy: It really comes back to that fear doesn’t it. I was talking about how we pick the fear from the television or the newspapers or whatever. But it’s all around us and if you’re intuitive, you’re picking it up from them. And enhancing it, because if you pick it up and they are picking it up, you’ve just exponentially increased the fear level in that room by not being able to say, oh, this is their fear, well, I can counter balance it with my trust, with my calmer energy. It’s all about energy, isn’t it, Shaheen?
Shaheen: It is, it truly is about energy.
© Shaheen Miro 2013
Last year I happened upon a book that really struck a chord with me. I reached out to the author wanting to know more! Luckily she agreed! So I had the pleasure of speaking to author, Sophy Burnham about her book, The Art of Intuition. What a fascinating interview it was! Sophy is such a delightful and generous person and I believe we can all benefit from her timely information.
This is part one of the interview. I hope you enjoy her wisdom and candor. Check out the review of, The Art of Intuition!
Okay. I’m ready for you.
Perfect. So when I read your book, I thought it was such an amazing piece. I found, The Art of Intuition by accident. I was in the library and I was actually working on another writing project. One of the striking was that you approached it in a way that had a lot of scientific studies that explained and supported intuition but you weren’t trying to convince anyone that that was all that intuition is. And I thought that was so brilliant.
Actually, we don’t have any idea what it is.
Exactly. But some people want to explain it in a scientific sense and let it be purely that. And other people think of it in this very mystical, magical sort of way. I thought you took the middle ground and you gave bits and pieces to both groups. The other thing that resonated with me is the idea of intuition and creativity are connected to each other.
Oh, because they’re intimately linked, yeah.
I want to begin with, why do you feel that people have forgotten how to tap into their intuitive selves?
You mentioned this in your first question to me. Is it more a matter of remembering was the way you put it. And in my experience, it’s not always remembering because a lot of the time I get information I didn’t know about at all. So I couldn’t possibly be remembering something. It’s a totally new moment, as it were.
Now, I did have an experience the other day that was just remembering. But I had it so precisely that I think, there it is, there’s my higher teacher, my guide, giving me information. And it was very simple. I’ve had some surgery and when I came back from the hospital, I was very, very, very ill. And I didn’t know what to do. I didn’t know if vomiting was just part of what happens at this phase and I couldn’t reach anybody and I didn’t want go rushing back to the hospital. And I remembered that about nine months earlier, I had gotten in the mail a little card which gave me the name of a nurse…practicing nurse on duty 24 hours a day, seven days a week, call this number. I remembered that out of the blue when I had just sent up this little prayer, what do I do. And then, even more remarkable, I went in my office and I put my hands on it immediately. Which is not the way my filing system works. And she was fantastic. I got this woman in Ohio who listened to my symptoms and said get an ambulance and get to an emergency room immediately. And eventually that’s exactly what I did do.
Now, that was a remembering in a way, but it came with such suddenness on the part after having sent up this little heart message, help, what do I do. Maybe the intuition was merely remembering. For me, it has the sense of an angel, or my higher self, or that spark of the divine that we all have, coming to the fore and saying, get that piece of paper, call that person.
I have learned that there are symbolic things sort of looming and floating and presenting themselves to us in everyday life and we have to learn to see that string, that thread, that kind of pulls them all together.
Absolutely. And then you can enhance this ability. Meditation is the most obvious. Turn off the television, turn off the iPad, stop playing with your Smart Phone and go take a walk in the woods and you will know things that you will never get on the internet. And you’ll know how to solve your problems. But we have to be alone to do it. You have to take the dare of being in solitude at least for a little while and be comfortable with yourself.
I’m a big believer in the divine nature of human beings and I have to say, Shaheen, that after this latest Colorado massacre, it shakes me to the core. But I know that we have within us the spark of the divine. And that we have all of the God-given abilities to know everything and to be able to solve the problems if we can just trust ourselves enough to do it. Now it might take a little while to get there, and some people are better at it than others. Not everyone is a medium. Not everyone is able to give someone a reading. But I have certainly trained many people to do it, or trained is the wrong word. Opened them up to discover, one, I can do this, look at that. How did I know all of this about this total stranger? Because it’s part of our innate nature to know this information.
That’s a powerful thing to be aware of. In an interview you said people are more afraid now than they have been in the past twenty years. Do you feel this is because people are not connected to their intuition? Or for instance, this massacre, do you think people are serving a higher purpose?
You know, it’s such an interesting question. It’s a really important question. I don’t know if people are more afraid now than they ever were. I know that we are blasted with information. We are a very dysfunctional society at the moment, in part because everything is slamming us with terrifying information. If you read the newspapers, if you turn on the radio, if you turn on the television, it’s all bad news and it’s all being delivered at high scream velocity. And everything has the same quality as everything else, so they’ll say, there are more car crashes than ever before because more people are driving cars. This is a terrible thing and we have to… The next moment they’re saying, just in the same breathless way, the next horrible thing you have to be afraid of.
Everything has high-pitched terror in it and it is a deliberate function of the media to make the reader or that listener uncomfortable enough so that they want something of comfort. And they will rush to buy something or eat something or make a phone call or pay some money to this particular non-profit. Everything is about grabbing our attention and the way they do it is through fear. And then I think, you know what? People were afraid from the beginning of time. You have only to look at the Bible to realize how frightened people were in 3000 B.C. There would not be the need for the Twenty-third Psalm if people were not frightened.
So maybe we just recognize somehow when we come down into this plane of existence, on this pretty little, and very strange, planet, we’ve lost our connection to the divine and we’re aware of being alone and frightened. Maybe that’s part of the human condition unless you connect with your own inner heart, or with God, or with the divine in whatever way you reach it. This is why I say a walk in the woods is so good for you. There you are in God’s world instead of the human, man-made world. And you unhook for a few moments and you realize, you know what? Everything’s okay. And things work out for the okay. They don’t always work out the way I want, but they often work out better than I had imagined. And when I examine my life and I listen to the stories that other people are telling me, I can see in hindsight, always, how I’m being helped at every stage of the game.
In front of me everything is black. I am walking blindfolded and barefoot down a dirt road and I can only see my way by feeling the stones and dirt under my bare feet. So when I go off onto the gravel on the shoulder of the road, if I’m sensitive I move off the side way and get back into the center. If I’m not sensitive, I wander into the briars on the far shoulder and then I need a spiritual cattle prod to force me back into the road and I probably lunge too far over and throw myself into the briars on the far left-hand side, until I learn that I am being guided by silken reins and I don’t need the cattle prod anymore.
© Shaheen Miro 2013
Your spirit is a precious, burnings star that fell from heaven. As you fell down the tunnel to wonderland, a gauzy veil spun around your soul, covering the light of your divine nature, keeping it hidden from the eyes of the world. It is your mission on this journey to lift the veil so that your light and beauty can be seen.
Your spirit emanates light, like a strange jewel from which you draw your talents, abilities and purpose. As the veil grows thicker it becomes a darkness that numbs and silences your divinity, cutting you off from your potential. But the truth remains that you are a divine architect. You are a partner to the Universe, and it is in your true nature to express and create through love and compassion.
The key to divine expression is intention. Intention weaves and changes the fabric of everything in its path. Intention is the mother of manifestation; so she bears from her fertile womb every seed placed within. When you befriend intention then you can essentially birth what you desire, this is the art of manifestation.
Your thoughts, actions and ideas are the energy that feed the Universe, literally creating everything you see around you right now. It can be difficult to see beyond the dark, thick, sluggish veil covering your potential. It distorts whatever you are sending out. Because of these distortions your intentions are altered allowing the unfavorable to grow like thorny brambles in your life.
The Universe is fertile and rich with the nutrients necessary to grow whatever seeds/intentions you wish to plant. The Universe cannot discern what you plant here because her one and only purpose is to birth the seeds that you have sewn, and manifest the garden of your desires. Now you know that your garden is the accumulations of all the thoughts, ideas, fears and dreams that you have planted.
If you aren’t careful in tending and pruning your garden, pests begin growing, sneaky little things that creep into the calm fields of lavender and lilies. These thorny, little weeds represent of your lack of attention to what is going on around you. Not all things within your garden are in your control; some things just appear like negative relationships you just need to break free from. You cannot change everything, but you can changer your reaction. Isn’t a weed just a flower that someone doesn’t like?
The veil that you see life through is actually the ego, and the ego sees everything as limiting. Your garden, then, has limited beauty. It becomes infested with stickers and brambles that bite your fingertips when you eventually try to pull them. Though there are times when a little seed of light sprout among the weeds, but their life is quickly choked out by fear and insecurity. As the ego believes, there’s never enough. Not for me, not for you.
Our souls are sparkling, bright-eyed children and the veil makes the world dark and gray, which evokes insecurity and fear because “bad things live in the darkness”. Through embracing the powers of your divine nature you pull away this veil and are able to be in the present moment. One energy cannot vibrate amongst the other, easily. The ideals of the ego such as anger, depression, sadness, hatred, etc, sustain the limited belief of separation, which in turn breeds more fear.
It could be said that there are no mirrors in heaven, so we come to earth to see the true nature of our spirit. We come here to find our selves within our own light, being nudged by the people, places and experiences we have. The truth is that the veil is never fully lost as long as you are incarnated. It is the anchor of your soul.
In this amazing, incarnate experience, you have to live on the edge of two worlds, like faeries on the edge of dreamland. You have to walk the middle ground between the material and the spiritual; a balancing act between light and dark. If you tread the middle ground you learn to be in the present moment.
Through learning to be in balance with ego and spirit you can begin manifesting consciously. On your spiritual journey you are never seeking to lose your identity or shadow, only to embrace it, understand it, truly befriend it. It is the great yin and yang. This is the foundation of enlightenment.
Fear not the experiences you have in life, embrace them with open arms. Let your experiences open your mind and heart and help you to expand. If you want to change your life, you must change your thoughts. There is a micro world inside of you, and it reflects into the world around you. Remember your garden is yours alone… tend it, care for it, look after it and you will have a beautiful work of art.
Also know that we are all interconnected. You may wish to exclude others from your life, but again this is a balancing act. You have one plot on the face of a whole, so essentially your ground is the ground of another. The interaction between you and the people in your life is just as essential, if not more essential, than all the experiences you’ve had.
As you tend your garden, be mindful of the gardens around you. You don’t want to throw your dirty work into someone else’s masterpiece. We must help each other maintain this beauty. Hopefully a sense of comradery forms, creating peace, which shines out into the world. Maybe one day we will all cast of our veils and melt into one bright and vibrant sun.
© Shaheen Miro Original Work by Shaheen Miro. All Rights Reserved. No part of this work can be reproduced or copied without permission of the owner.
We were beautiful boys, too young to know better, and too proud to walk away. Something died in our hearts and minds, and was left rotting in the dark places of our souls. You had no clue how much you burned me and like a moth, I kept flying, a suicide bomber, back into your light.
They were strange, and made of gold. They glowed with warmth, but to the touch they were cold. You say everything will be okay… but once again, you do not know the path at which they go. They are always leaving. Dispensing their sorrows, to the wind with the dandelion heads. It was almost Summer then.
Keep your clothes on; there is no need to stand bare before me. There is nothing I wish to see, though I know every line that lives under your clothes. You were sculpted from the dark clay of the earth and fired in the kiln of the mountains. I saw you baptized by the fragile sea and kissed by the sun. So stand there in all your glory, but do not shed your clothes… for your exposed body would surly destroy me.
Now that there is nothing left to say. No one dares even write to the other. Let’s just let it float off into dust. You are not a fallen star to me. You will always shine. You gave me a chance, a voice and time to make my art. I have written down every word. I’ve taken it all in. Though we are saying good-bye to dying legends… the legends live on as stars; Lights in the night, to guide us home.
© Shaheen Miro 2/11/2012